Discussion 2

AUDIENCE QUESTIONS

Cait McQuade asks:
Will you post links to your tours?

Anonymous asks:
Thank you for sharing this, great presentations and ongoing initiatives. Might you be able to share any audience research results on the anti-colonial tour pilot? What percentage of visitors uses the QR codes? How does it affect visitors’ understanding of the Piedras Negras stelae and the erasures of local expertise and knowledge? How have you decided which stops will be developed and who is telling the stories with you?

Ryn Ingalls asks:
How do you see using current collections in the future?

Anonymous asks:
I was wondering if the panelists could reflect on the fact that the Penn Museum has repatriated maybe just a few hundred of the skeletal ancestors, and fewer, proportionately, of the object-beings in their collections…How do you see your work articulating with a potential commitment the museum could make toward more repatriation and restitution?

Mohamed Hashim Elkareem asks
What are the theoretical basis or theoretical grounds are you basing and selecting QR Codes as tools for museuological practices?

Shannon Wagner asks
Interested in the Black Graves protection act suggestion. However NAGPRA is old and outdated and without “teeth”, how would you want to see decolonization and repatriation better employed with both the suggested BlackGPRA and 1990 NAGPRA?

Anonymous asks
Thank you for your work. How do you also take into account the biases of the museum guests as they engage with the museum as is and the additional personal work that would be required by your decolonial tour?

Ryn Ingalls asks
How did you create your QR codes in a way that really works?

Cait McQuade asks
Thank you for talking about ways to translate your ideas into practice! Please think about ways to disseminate your scholarship to practitioners, who rarely access academic resources.

Anonymous asks:
Considering the differences between museums in colonized countries of the Americas and Africa and museums in European countries that historically colonized others, and the differences between the museum “audiences” in those locations, how would “ruptures” differ in these contexts?

Anonymous asks:
I’d like to understand the idea behind this acknowledging of the land of indigenous people. Do the communities benefit in some way? Can the descendants eventually lay claim to the land and somehow benefit? Are they just acknowledged and that’s it? Is it just to serve as a reminder of settler colonialism?

SESSION SUMMARY

The Critical Museum Studies Group will present their current efforts to rethink and de-stabilize the Penn Museum, including a mapping project that re-peoples the museum, a website with archival and historical context of the Museum’s role in violent collection, and a pilot Anti-Colonial tour project that pays attention to the language, labor, and people behind and among the exhibits.

MEMBERS

Hakimah-Abdul Fattah
Chelsea Cohen
Francisco Diaz
Christopher Green
VanJessica Gladney

Katleho Kano Shoro
Chrislyn Laurore
Stephanie Mach
Breanna Moore
Charlotte Williams
Paul Wolff Mitchell